Showing posts sorted by relevance for query suzybeat. Sort by date Show all posts
Showing posts sorted by relevance for query suzybeat. Sort by date Show all posts

Monday, September 14, 2009

Quadruple Felony!


Here’s the Download: Quadruple Felony

I can remember coming across this single in every record store whenever flipping through the 7”s, and it eventually took on an iconic status for me as a part of this scene that existed in Atlanta from the early to mid nineties. These bands were the local music elders from where I stood, even though they were probably only three to five years older than us at the time, but our circles rarely crossed. While we were playing all ages venues like the Somber Reptile or the Liquid Bean, they were playing more “adult” clubs like the Point and later Dottie’s, and many others that I can’t remember at the moment. There are many stories to be told, and I'm starting to get in touch with some of the people from this scene (e.g. Kim from Pineal Ventana, Rick from Whiskey Dick/Howling Fantods, etc.). Hopefully they can chime in on these releases, and maybe even do some guest posts someday.

Kim from Pineal Ventana forwarded me a link to Amy Potter's history of Half Baked Records, which includes this paragraph about the Quadruple Felony single. "Around the fall of '94, BOB, Pineal Ventana, Tweezer, and Suzybeat all approached me about doing a theme record together. I said cool! We would get together at the El Azteca Mexican Restaurant on Ponce de Leon (affectionately nicknamed the "Punk-rock ass-kicker" for their incredibly strong margaritas) and talk about the record. We were a motley crowd, infamously known by the wait staff. We would flip tortillas across the table at each other (with salsa on them). This would make a huge mess, annoying the wait staff and the customers. The first couple of meetings, we got absolutely nothing done but drunkenness. The taking of the promotional photos was quite fun. We took a ton of us in front of the El Azteca when an ambulance had just pulled up in front. We all could never agree on a theme or artwork. In fact, I think some of the bands are still pissed at one another because of the artwork. It took until March of '95 to actually get a record pressed. The theme was about four different crimes: a bank robbery (Suzybeat), serial murder (Tweezer), child molestation (Pineal Ventana), and Vietnam War crimes (BOB). The release party was held for the 4-song 7-inch entitled Quadruple Felonyat Dottie's on March 8, 1995. We then booked a 2-day tour to North Carolina with everyone except Suzybeat participating. Our first stop was Wilmington, NC at the Bourgeois Pig. Pineal Ventana had this huge bag of popcorn and threw it on BOB during their set. It was hilarious. Our next stop was the Turtle Club in Greensboro. The club did little or no publicity and plus it was spring break - no one showed. We didn't let that bring us down. We had our own show. Everyone was drunker than hell. We found a Barney doll in the parking lot, ripped its insides and voice box out, and would wear it on our heads during the show. The voice box was also found singing in many songs. Travis of Pineal Ventana also subbed in for Timmy of Tweezer during Tweezer's set and no one noticed. It was one of the funniest times that I can remember about my label. A few weeks later I went with BOB on tour to Florida, New Orleans and Texas. I loved touring with my bands; it was something I didn't get to do that much since I had a full time job."

For this single, we have another song by BOB represented, as well as some nice contributions from Suzy-Beat, Pineal Ventana and Tweezer. The Tweezer song here may be my favorite of theirs as a band, but I will be posting more from them soon. Pineal Ventana were legendary from this time, truly a very vital and exciting Atlanta band. I would like to get Kim to help me with a Pineal Ventana post someday, but I haven't had any luck yet. Until then, there is plenty of footage on Youtube to watch. Of course there will be more from Tweezer in the future, who have a lot to share and were definitely underrated from my perspective, but I would especially like to get more by The Suzy-Beat. I remember them having at least a single out back in the day, but if anyone has any recordings by them, please send them my way.

Here is back cover of the single, including the classic picture of everyone at El Azteca on Ponce. Thanks to Half Baked Records for another great release.

Monday, April 26, 2010

The Suzybeat


Here is the download: The Suzybeat

Track Listing:
1-2 from first 7"
3-5 from second 7"
6 from the "Invasion of the Indie Snatchers" Allied Records Compilation
7 from the Quadruple Felony 7"
8-15 from Harvey (aka The Biz)

Update: Harvey (aka The Biz) from The Suzybeat sent me eight unreleased tracks to add to the list, so now when you download the zip file, it will contain 15 songs - a more respectable compilation of material.

Harvey also sent some comments on the new songs:

Here's 8 more songs we recorded and never released (though I still think Casino Magic was released on a compilation cd somewhere by someone...I cant find anything about it online...sigh..it was a long time ago).

Tangy Frank is from our first recording session (The Half baked compilation 7 inch). I'm playing a 30$ pawn shop guitar and our drummer at the time (Jim Williams) was playing a 3/4 size kids drum set. Andy Baker felt sorry for us and offered to let me play a guitar he had in the studio but I was quite proud of my crappy guitar at the time. I broke a string there at the end but we went with it anyway. Cant beat the punk rock teenage years.

Shiner was recorded with our next drummer (Robert Stiles) in what we affectionately call the falling down stairs phase (as all our songs had the rhythm of someone falling down stairs).

GearJammers and Irving the Explainer were recorded during one of the sessions for our two 7"'s. By this time we had joined up with a drummer who's main instrument was the drums (Bryan Beisel) and I had purchased a real guitar.

Another Polish Wedding, Life On Cassanova, Casino Magic and Adam Egonum were recorded in our last session (Andy Baker as always) with Erich Orenshaw joining us on guitar#2 and vocals (Casino Magic). And then we were done.

Now we have 15 songs, but still a cryptic band to say the least. Their two singles were basic screened covers, with photocopied inserts barely giving the song titles and a recommended playing speed, but this was the time in which these records existed (DIY, esoteric, intentionally obscure). They play early 90's style noise rock of the Chicago variety, not like Shellac but more like a Big'n or Dazzling Killmen. This is great stuff, and I'm very disappointed that I never got to see them live. Once again, they were part of the older Dottie's scene, and didn't cross paths with my hardcore bretheren. I'll bet they weren't straightedge either.

Here is the artwork for the 2nd single, their inserts, and their page from the Allied Recordings compilation.