Tuesday, March 9, 2010

The hal al Shedad Flyer Collection


March 11, 1995: HAS with Moonraker and Tired From Now On from Gainesville, Florida. This was the first Hal show, before I was in the band. After a second show at the Godless Red house, I told Ben and Ed that I would be interested in playing drums for them, and they took about 2 minutes to say yes. Then we went to Tortillas.


May 12, 1995: HAS with Inkwell in Auburn, Alabama. I remember using the Car vs. Driver van to drive down to Auburn, and we broke down right outside I-285. Some guy stopped on the road and offered to drive Ed to a Pep Boys and get a new water pump, which the guy replaced on the side of the road and we still got to the show in time.


May 19, 1995: HAS with Year Zero, Quadiliacha and Fragment at the Driver Dome. I think this might have been the only show we played with Quadiliacha in our four years as a band. We also started using the complete name "hal al shedad" in our flyers, instead of just "hal", although it lingered on in subsequent flyers for several months.


May 27, 1995: HAS with Eurich, In-Humanity and Ezra Pound in Charleston, South Carolina. Our first time meeting Kyle and Bill from Rainer Maria, in their earlier band Ezra Pound. Of course In-Humanity stole the show.


May 28, 1995: HAS with Ezra Pound and Scout at the Driver Dome. I remember one of the guys in Ezra Pound losing his drivers license in the morning after the show and having some kind of mental breakdown in our family room. It wasn't Kyle or Bill, those guys could keep it together.


June 2, 1995: HAS with Palatka, Order of Importance and Dredge in Gainesville, Florida. Our first time playing with the Palatka guys, who we connected with and played shows for years afterwards.


June 6, 1995: HAS with Delta 72, and Plow at the Driverdome. I remember Delta 72 being awesome at this show. They had just released their first 7", and had Kim Thompson from Cupid Car Club playing bass, so we were completely starstruck.


June 8, 1995: HAS with Plow and The New Action Four in Knoxville, Tennessee. This was the start of our first tour, and the show never happened. I also would like to mention that we left the Driver Dome basement door wide open when we left for tour, sorry Steve. The New Action Four was a side project band of the guys in Thumbnail, and when we showed up at their house they said the show was off but we could sleep on their floor. We played with their dog for a little while and started driving to Bloomington, Indiana instead.


June 9, 1995: HAS with Sewing Circle and Ascension in Bloomington, Indiana. This was put on by Icki from Sty Zine in his basement. I remember the show being pretty sparse, but Icki got a promo copy of Fugazi's Red Medicine in the mail that day, so we were able to listen to it for the rest of the tour.


June 11, 1995: HAS with Anasarca, Feverpitch, Milkwede and Dog Tag in Lancaster, Pennsylvania. I believe Anasarca didn't play this show, but Feverpitch had the guy who put out the "Use This Coupon" compilation with Car vs. Driver, so we got to hang out with him. I also remember the guy who put the show on lived with his parents, and we stayed in one of their guest rooms (on beds!), while his mom, the gourmet chef, made an amazing breakfast for us. We didn't want to leave.


June 13, 1995: HAS with Chokehold, Natividad and Eleventh Hour in Newark, Delaware. Eric Wareheim from Elements of Need came down from Philly for this show, so we hung out with him for a while and then stayed at Gavin Frederick's parents house for the night.


June 15, 1995: HAS with Cap'n Salty, Mothman and Stella Brass at the Henry House, in New Jersey I believe? I don't have any memory of this show, but I think we made the second flyer ourselves and gave it out at some other show that was happening that night.


July 29, 1995: HAS with Action Patrol in Knoxville, Tennessee. The Thumbnail guys make it up to us for flaking out on the other show, by giving us a great show with Action Patrol. I remember meeting James, Patrick and Turtle from Auto Stop Records at this show, who later put out our third 7".


August 3, 1995: HAS with In-Humanity in Auburn, Alabama. Auburn was like our second home back then, and we always had a great time there. I believe this might have been where we talked with Josh White from At A Loss Records about putting out our first 7".


August 4, 1995: HAS with Franklin and Fracture at the Driverdome. Our first show of many with Franklin, probably the most underrated band of the 90's, and Fracture, who had the best tour van I have ever seen. It was a black and yellow super van from the seventies, and was the envy of every band they played with.


August 19, 1995: HAS with Inkwell, Pagan Holiday and Wheeljack at the Driver Dome. The infamous Rock Against Rape benefit, complete with spoken word by Blondie of Clairemont Lounge fame, and several others who bummed out the Driver Dome crowd immensely.


September 12, 1995: HAS with Boys Life and Giants Chair at the Driver Dome. Boys Life was one of my favorite bands of this period. After seeing them in Detroit and then here, they really brought it. Those guys toured so much, they had a system for not paying for gas when they filled up that actually worked most of the time.


October 1, 1995: HAS with Thee Autobots in Huntsville, Alabama. The first and only time we ever played Huntsville. Jack Saturn put this show on, and I love the guy but the show was a clunker. Scout cancelled, so we we came in their place, but also Lunkhead, Seade and Helicopter cancelled as well. Maybe it was just not meant to be.


November 4, 1995: HAS with Griver, The Forty-Two and The Merrils at the Driver Dome. Ben and Ed were high school friend of Charlie from Griver, so we played several shows with them over the years. At the Driver Dome, we used to just charge 1$ per each out of town band, and the local bands didn't get paid. Therefore this show was just 1$ to get in. Gas was pretty cheap back then.


October 16, 1995: HAS with The Make-Up at the Driver Dome. One of the best shows ever at the Driver Dome. We went to the Sonic Youth/Make-Up show at the Roxy the night before, and James Canty was hanging outside the venue. They had a night off the following day, so we convinced them to play our basement. With one day's notice, and no cell phones, email, etc. we packed the place out and had an amazing show.


February 2, 1996: HAS with Wheeljack and Year Zero at BLT's. Classic show from the mid-nineties.


March 14, 1996: HAS with Braid and Castor at the Driver Dome. I don't remember the show as much as I remember the flyer. Ben and Phil were working at Kinko's by this time, so we were able to print these great 11X17 color flyers for free. This was a classic.


March 29, 1996: HAS with Thumbnail and Year Zero in Knoxville, Tennessee. I don't have any memories of this show either, but the Auto Stop guys did a great job with the flyer.


May 20, 1996: HAS with Dahlia Seed and Barrel at the Driverdome. I believe this was when we had just finished recording the first album in New Jersey, and drove with Mike Simonetti down to Atlanta and meet up with Dahlia Seed for their tour. If this was that show, then it was also when my trombone was stolen out of our van in the Driver Dome driveway.


October 12, 1996: HAS with Dart 360 and 400 Years in Durham, North Carolina. Mark Owens from Buddy System always put on great shows at the Duke Coffeehouse, we played there quite a few times, with 400 Years, The Make-Up, Rainer Maria, etc.


December 19, 1996: HAS with Franklin, 12 Tone System and Cascade in Philadelphia, Pennsylvania. This was the show where we met Vique Martin from Simba Records, who offered to book a European tour for us, which was an amazing opportunity. Sometimes it's worth driving up to Philly in December for a show at a church with Franklin. Great times.


March 10, 1997: HAS with Long Hind Legs and The Thrones at 485 Robinson. This was a great show, for the fact that we got to hang out with Vern Rumsey and Joe Preston at a house in Grant Park for a few hours. I remember Vern playing Tim Green's guitar from Nation of Ulysses, and we were trying to figure out how to buy it off him.


March 26, 1997: HAS with Serotonin in Nashville, Tennessee. This was the start of our US tour, at Lucy's Record Shop which was always either the start or end of our tours back then. What ever happened to Lucy and her shop?


March 1997: HAS with Rainer Maria in the Midwest. We played several shows with Rainer Maria on this tour, so Polyvinyl made some nice posters for us. Included on these dates were Peoria, Illinois with Braid, Chicago with Joan of Arc, Madison, Wisconsin and Minneapolis, Minnesota. They also played the show after in Sioux Falls, South Dakota I believe.


April 6, 1997: HAS with Sunset on Tokyo, T Tauri, John Brown's Body and Gamelan Auxilliary Unguent in Portlant, Oregon. This was a great show, Sunset on Tokyo was Jon Rothman's band in Misoula after leaving Car vs. Driver, we did several west coast shows with T Tauri, and they were amazing, and we loved the city and venue quite a bit. I remember trying to find the Burnside banks at the time, but I guess they were under the bridge. I didn't bring my skateboard anyhow.


April 8, 1997: HAS with Blackjackaction, The Angel Assassins, Makara, T Tauri and Edaline in Petaluma, California. Another great show, T Tauri and Makara were awesome, and I don't remember The Angel Assassins specifically, but they included BJ Rubin from Pukekos fame. We stayed at a house with Blackjackaction and Patricia in that band kept us up all night playing bad cover songs on an acoustic guitar. Interesting piece of trivia is that Patricia played in a band with Bob Medina when they were living in Boulder, Colorado before Bob moved to Atlanta and we started Chocolate Kiss together. Part of that whole band family tree thing.


May 16, 1997: HAS with The VSS, More Fire for Burning People and The Purkinje Shift at the 14th St. U-Haul Warehouses. What a show! VSS annihilated, of course. So much that someone in the warehouses called the police and we didn't even get to play. I also remember our van going over this bump too fast while we were driving in and Ben's Ampeg V-9 head bouncing off the seat and smashing on the floor of the van. Don't ask why Ben's head was sitting on the seat of the van.


August 29, 1997: HAS with Capstan and The Glenn Bowen Big Band in Nottingham, UK. The Hal European tour begins. In the UK and Ireland we played mainly pubs, which was not really our scene, but in mainland Europe we played a lot of youth centers, and they loved us. It's funny to see the other shows that were happening around the same time. We were criss-crossing tours with Rye Coalition and Bluetip, but never played on any of the same bills.


August 30, 1997: HAS with IMBISS in Leeds, UK. This was the tour flyer Vique made for our UK shows, using some of the artwork from the tour 7". Not bad. We were pretty spoiled in Atlanta by having Phil Dwyer, Scott Wishart, Scott MC, etc. design these great flyers, and we go over to Europe and it's copy machine punkerville on many of these. At this show, we put a ghetto blaster in the back of the room to record our show as a "live at Leeds" set, ala The Who. It sounded terrible, of course.


August 31, 1997: HAS with Bender and Western Union in London, UK. This was the same day that Princess Diana was killed in Paris. People didn’t feel much like going out to a show that night. I remember driving by Buckingham Palace and seeing all the flowers laid out, it was not a happy day in this town. One of the bands cancelled, and the other band played a cover of “Swan Street” by Three, which was great. Later on that night, we slept at a record store and the owner gave me a copy of the Yummy Fur’s “Stereo Girls” 7”, which I was very excited about.


September 3, 1997: HAS by ourselves in Aalborg, Denmark. I have a DAT recording of this show, which I will post whenever I can borrow the machine from Henry. This was a sparsely attended show, on a Wednesday in Denmark, but we had a good time. This was helped by the club giving us a deck of cards, and each card was a drink ticket for the band. I remember Ben, Jon Lukens, and our driver Rob Hallowes getting pretty sauced. Jon vomited out the van window the next morning on the way to Sweden.


September 4, 1997: HAS with Plastic Pride and Reconsider in some small Swedish village. Daniel from Refused booked our Sweden shows, and added some local faves from his home town of Umea called Plastic Pride as a support act. They were still in high school (gymnasium to those guys), but were pretty tight and had a good hardcore sound. Nice kids, and they toured in an RV, which made us extremely jealous. I seem to remember us playing very bad at this show, because I remember our next show in Stockholm being very good.


September 5, 1997: HAS with Plastic Pride and Last Match in Stockholm, Sweden. There was a joke going around that when the US bands toured Europe, the following year all the European bands sounded and looked like them. I remember the Locust touring through a little while before with Jenny Piccolo I believe, and a definite San Diego vibe was creeping into Scandinavia. This was a good show, and we got to sleep on the floor of the club so we didn’t have to worry about loading out our equipment after we played.


September 6, 1997: HAS with Purusam, Cobolt and D.S.-13 in Umea, Sweden. This was the epicenter of the Refused/Swedish hardcore scene, and the Umea kids represented. This town is way up North almost at the Arctic Circle, but they love to have bands play at their youth center. I think every kid came out to the show, and bought a t-shirt, 7” and album. We had a great show as well, possibly our best of the tour.


September 7, 1997: HAS with Plastic Pride, Endflow, and Ione Band in Sundsvall, Sweden. The guy who did this show liked to draw maps, and I have attached a map he drew here that I’m not sure what it was for, but it was a very artistic rendering of his hometown of Sundsvall. We went to the video store after the show, and they wanted me to pick out the movie we should watch. It was between Crash (the one with James Spader) and Swingers. I chose Swingers as I thought Crash might be a little too awkward for them. They didn’t really understand all the slang in Swingers, and asked if that was how Americans really acted. Then I got lost in the woods trying to find Plastic Pride’s RV. I think they started letting us sleep in it, because it was so damn fancy.


September 8, 1997: HAS with Plastic Pride and Krig 83 in Soderkoping, Sweden. I don’t remember much about this show, but it was another one with our BFFs Plastic Pride. As they were a straightforward HC band, I’m sure they got pretty tired with our 12 minute prog epics. Not a bad flyer.


September 9, 1997: HAS with Fictives, Plastic Pride and Bobbit in Oskarshamn, Sweden. Speaking of great flyers, could you have at least not used notebook paper to advertise our show?


September 10, 1997: HAS with Plastic Pride, End In Sight and No Dismay in Gislaved, Sweden. These shows are all running together, as you can imagine we are ready to move on to other territories by this time.


September 11, 1997: HAS with Plastic Pride and Ponyboy in Copenhagen, Denmark. We played this horrible squat where the soundman was wanting me to put tape all over my drums, and Ed got some of the worst heartburn in his life from some falafel (our main diet on tour). Afterwards we stayed at some girl’s punker apartment that had a sink that went into a bucket, and I voted to sleep in the van. Someone had to sleep in the van every night to ensure that nothing was stolen, and I always took it when we were staying in places like this.


September 12, 1997: HAS with A.M. Thawn in Magdeburg, Germany. This was a long drive from Copenhagen, but we ended up staying at a nice house where the show was held that served great falafel. I do remember Ben yelling at the crowd to shut up during our quiet songs, however. It was a party town, complete with a disco next door that kept us up all night. We also picked up this girl named Chantal at this show, and she rode with us for several days through Belgium to get somewhere. She drove us crazy by the end of that journey.


September 14, 1997: HAS with Reiziger and Hitch in Kortrijk, Belgium. I remember the guys in Reiziger being super cool, and a great band as well. I bought several of their albums in the years after this tour. This was another great show, at a pub and not a youth center, but in front of people who seemed to understand what we were doing musically.


September 18, 1997: HAS with Kito and Number One Son in Manchester, UK. We made our way back to the fatherland, and played a show with our driver’s band Kito, who were pretty metal but good. I think we only played four songs at this show, as the bass amp blew up during our set. We played the song “Machine Gun” as a guitar/drums/vocals combo just so we could play something for the crowd. It’s important to note that in Europe (at least at this time), all the bands shared the same equipment, so if an amplifier blew up during a band’s set, there was no back-up for the remaining bands to use. As we were usually the headliner on this tour, we were the ones that suffered because of this. Ben brought Charlie from Griver’s Gallien Kruger bass head over to play through with a power converter, but it was such a high wattage amp it kept blowing the fuses on the converter box. We should have just borrowed someone’s bass amp in Europe for the tour. Lesson learned.


September 19, 1997: HAS with Castles and Car Wrecks and Zero Tolerance in Belfast, North Ireland. This was a scary show. We played to Belfast punkers at a squat, and there were several fights during the first band. Some guy called me the bastard son of Andy Warhol and mooned me. Castles and Car Wrecks were on tour with us for all the Ireland shows, and they were acoustic, loungy-type stuff, and they went on before us. The bass player actually played sitting on a chair off-stage, due to the awkwardness. They got through their set, and we had to play a set of total rockers, and the punkers loved it. It was probably the first time we had circle pits at a hal show.


September 20, 1997: HAS with Castles and Car Wrecks, Hylton Weir and Devoid in Dundalk, Ireland. This was a fun show, it was at a pub, but with a really young crowd as the drinking age is so low. So it was at a “kids pub”. I can remember seeing a really young Irish kid drunk out of his mind vomiting on the street, and how strange that looked as an American. Later that night we stayed at this elegant country mansion, and Rob the driver watched speedway on TV without the sound on while we slept. I remember waking up and seeing Rob silently yelling at the screen when his team was doing well (or something).


September 21, 1997: HAS with Castles and Car Wrecks and Bambi in Dublin, Ireland. This was another great show, Bambi was a young, garage-punk type band with an organ. I remember all of them coming to the show in a taxi with their organ in the trunk. Castles and Car Wrecks were amazing, as usual. I used to have a soundboard recording of their set from this show, but can’t find it anymore. If anyone has any recordings of Castles and Car Wrecks, I would be very much interested. I only have a split 7” myself, with Rob the guitarist (previously in Baby Harp Seal) singing solo acoustic. I would like to get a recording of them with the Kito rhythm section that they had on this tour.


September 24, 1997: HAS with two other bands (I can’t remember) in Leicester, UK. This was the last show of the tour, and we were ready to get home. We had a great time, but we were young (I was 21, Ed and Ben were 19), and it was really an overwhelming experience. I remember leaving my jacket at the house in Birmingham the night before, and I had to wait for several months while the guys in Palatka and In-Humanity played there, picked it up, and brought it back to the US for me. After this show, Rob drove us to Heathrow airport where we sat in McDonalds all night listening to Jamiroqai’s “Cosmic Girl” on the sound system waiting for our flight to take off in the morning. When we arrived at Hartsfield airport, my wife (then girlfriend) Sue met us at the gate with Tortillas burritos.

Here is the entire European tour schedule below:

November 21, 1997: HAS with Rainer Maria in Durham, North Carolina. Back at Duke Coffeehouse with Mark Owens and Rainer Maria. The BFF relationship with Rainer Maria is in full swing by this point, we are inseparable.


December 9, 1997: HAS with Rainer Maria in Madison, Wisconsin. Don’t ask us why were were playing in Madison in December, but we had a great time anyhow. I remember Rich Morris (aka The Spirit of Nashville) coming with us as our roadie and showing us a good time, and having a brat.


January 28, 1998: HAS with Sunshine, Short Wave Channel and The Kossabone Red at Under the Couch. I believe this was our first show with the next generation of kids in Atlanta, The Kossabone Red. I made this flyer from some sci-fi book I was reading, obviously I didn’t get a computer until later.


February 21, 1998: HAS with Versailles and Pohgoh in Tampa, Florida. Confusing flyer, but a great show. Our major tours were behind us now, and we were only doing short jaunts up and down the coast for long weekends over the next year.


May 17, 1998: HAS with The Purkinje Shift and Plexorjet at MJQ. While Ben was a part owner of MJQ, we started playing shows there (in the main room, years before the Drunken Unicorn existed). In this late period we also played many shows with Plexorjet, which later became Rizzudo when Jason Dove moved to Baltimore.


August 17, 1998: HAS with The Sorts and The Boom at Under the Couch. After Rain Like the Sound of Trains and Hoover came The Sorts and The Boom, respectively. It was a fun show, The Sorts were always amazing.


March 27, 2010: HAS with Some Soviet Station and Rizzudo at The Drunken Unicorn. I felt that I should just include this in the overall flyer post. I hope everyone can come out, and I can tell you that while our set may be a little short with Ben moving away to Austin, we will play our best and hopefully bring back some good memories

Here is my handwritten list of our shows that I kept (sorry it’s so incomplete), and a funny interview we did for a zine in Austria. Thanks.

Monday, March 1, 2010

Mathis Hunter's Music Television


Our old friend Mathis Hunter (aka Matt New Age, aka Bimbi Smoofus Thomas, aka Bimbi Garraux, aka The Freezer Pleaser), after being the sidemouse in bands such as Quadiliacha, Regicide, Seventy Spacebird, The Good Friday Experiment, The Selmanaires, and the excellent Band Director for Noot d' Noot, has finally assembled a creation entirely his own - the Soft Opening, available now at the finer music retailers of Atlanta. His new band will be unveiled in the live format on Friday at the EARL, along with sets by The Selmanaires and Noot d' Noot, so everyone come down and get your good vibes on.

Friday, February 26, 2010

The hal al Shedad - Textures of Tomorrow


Here is the download: The hal al Shedad - Textures of Tomorrow

So we have confirmation from Benjamin Lukens that he can play the "We're glad Gavin didn't die benefit" at the Drunken Unicorn on March 27. The full lineup will be Rizzudo (thanks brothers Durant!), Some Soviet Station (thanks Jesse, Lee, gang), and The hal al Shedad, playing songs written 15 years ago. It was uncertain if this show would occur, as Benjamin and his family were suddenly moved by the company he works for to Austin, and he wasn't sure if he could take the time to get back to Atlanta for the show. Thankfully he can, but practice is going to be a challenge. Expect the set to be heavy on the early singles and not so much later material, as these songs were very difficult and we don't have the time to work them out.

This was our second album, which was titled after a line I heard in an old Twilight Zone episode, something about reconciling the realities of today with the textures of tomorrow. At the time, we were very determined to make new music that was a break from what was going on around us, but at the same time listening to a lot of Bowie records and some Black Sabbath, so we just wanted to make a grand statement, something epic. It also helped that we wrote most of the album in the Brannon Square movie theater where I worked after closing time, usually between midnight and 5AM when the cleaning crew would come in. The acoustics in that theater was amazing, and we would make these long, dramatic songs with huge dynamic changes just because they sounded so great. We would also play with the lights off, using only the projected movie on the screen with the sound turned off as our background light. I specifically remember writing songs to the first Scream movie as well as Twister, just to give you an idea of the time period when this was happening.

We decided to record the album with David Barbe, who we worked with previously on the "Running and Falling" and Simba European Tour singles. We liked his working style and got along really well with him in the studio. Now he had a new studio called Chase Park Transduction in Athens, and we were excited about recording our new album with a pro engineer at a top of the line studio. Not to say recording the first album in Alap Momin's garage was bad, but it was inspiring to be making a completely new album in such a top notch environment. I believe we were only the second band to record at Chase Park, the first being Jucifer, who I believe just finished recording the "Calling All Cars on the Vegas Strip" album there, and right after us was the great Harvey Milk, who recorded "The Pleaser" at that time. I remember the guys from Harvey Milk coming in while we were recording with copies of the new "Courtesy" album, and talking to David Barbe about how they were about to make the best rock n' roll album of all time the following week, and they pretty much did just that.

Anyhow, we recorded the album over a week in June 1997, with a few additional days for vocals and final mixing. We used some Bowie recording tricks, like placing multiple vocal mics at different distances from Benjamin while he was recording vocals with gates on the mics so when he was singing very softly, the vocals would be very close, and when he was screaming it would open up to the echo of the entire room. Clever. Some synths were used in the end of Sailor Song and Somnopolis, and some different guitars and amps were used in various places, but otherwise it was a pretty simple recording. I originally sang the song Machine Gun with different lyrics, but it clashed so much with the rest of the album, we had Benjamin just write and sing a completely different version. One other piece of trivia about the song Machine Gun - we played it live only once, and that was in Manchester, UK when Ben's bass amp died and we played it as guitar and drum duo only with Ben on lead vocals.

The album was our baby, and something we put a great deal of time and effort to create, and the public's response was underwhelmed to say the least. Many fans of the singles and the first album hated it, as it was too slow and quiet for their tastes. I also remember other bands being pretty bummed as well on our sound, Harriet the Spy once described our set as "floating on a raft in the middle of a lake, with no sight of land in any direction" or something to that affect. We thought it was funny, and they also had gossiped about Benjamin being on his cell phone and combing his hair a lot at our shows, so when we played their house in Kent, Ohio, we made sure Benjamin combed his hair as much as possible in between songs and he also took a cell phone call from Bill Kuehn (Rainer Maria) during the set. They were nice guys, though, and we had some fun over the whole thing.

I think Karl from the blog Tinafts summarized the album best:

The Hal al-Shedad's second album, Textures of Tomorrow, was released jointly by Buddy System and Troubleman Unlimited Records in 1998. I am reasonably certain that my opinion of it was shared by everyone else who cared: It sucked. In comparison to the debut self-titled LP and scattering of 7" releases the band put out, the songs were weak and the production wasn't all that great, either.

Much like the Cardigans' Long Gone Before Daylight, this is an album that, every once in a while, the sheer quality of the band's other releases makes you pull it out and put it on just to see if somehow it magically stopped sucking. Unlike the last Cardigans album (and I imagine time will tell on that one; I imagine it will tell the Cardigans to stop hanging out with Sparklehorse; I also imagine it will tell me that using two extremely similar corruptions of this common phrase in two adjacent posts is a bad idea) however, Textures of Tomorrow has.

In seven years, it seems that this second hal al-Shedad album has aged better than the first; it is probable that its not sounding dated is a function of my not having played the fuck out of it since it came out like the other one, so it has not been as irrevocably associated with a time period, despite the h.S's sound having been essentially one of the main victims of stylistic rip-off of that period. At this point I will refrain from mentioning the suspicious Georgia accent to be found all over a certain Madison band's albums (no offense intended, by the way).

I wouldn't go so far as to say that Textures is necessarily better than the first album; but at this distance in time from their release it's easier to see the quality of the material on the second LP. Despite the name of the album and what I seem to have been suggesting, Textures of Tomorrow isn't the product of a band ahead of its time; it definitely remains firmly within the vein of melodic post-hardcore the group are remembered for working. The gestures toward Black Sabbath were prefigured on the Running And Falling EP, and the occasional distortion-free numbers are fully in line with the era.

Textures of Tomorrow is currently my favorite album of 2005, just ahead of Seam's The Pace Is Glacial, another great album this year that had the misfortune to be released in 1998. And what makes Textures of Tomorrow so great? The hallmarks of any decent hal al-Shedad release: Guitars that jangle for a bit before modulating into a weird drone; whispers that tremble for a bit (way up in the mix) before modulating into an angry yowl; protomathematic basslines; lyrics about fucken boats.

In history, there have been very few bands able to write about seafaring in any capacity without sucking royally. No song illustrates my point better than Christopher Cross's 1980 shitbomb, "Sailing". Essentially only three recording artists have been able to avoid the sailing-song jinx: Sleater-Kinney, Gordon Lightfoot, and Iron Maiden. The hal al-Shedad demonstrate their superiority in this field with the sheer volume of nautically-themed work which they have released: Their first album sports not only "The Art of Map Making, Pt. 1", but "Pt. 2" besides, and Textures of Tomorrow continues the trend with "Sailor's Song". Probably the only other band with such a high ratio of songs-about-unpowered-watercraft-to-albums is the early Beach Boys, and even you Pet Sounds/Smile/Brian-Wilson-Is-God geeks can agree, that stuff sucks.

So yeah, Benjamin had a thing on this album for nautical themes, much as he did in the early days about angels, but I think it was effective for the music being played. We never officially toured under this album, only long weekends and hell rides up to Phildelphia, Detroit, Austin, etc. and head right back to Atlanta. Around this time, Benjamin was deeply involved in the reopening of MJQ in its "new" location, Ed was starting his career as a recording engineer, and I was just trying to graduate college. We eventually wrote an entirely new set of music, which you can find here, and unofficially disbanded in 1999. So that is about everything I can remember concerning the second album, I want to thank Mike Simonetti from Troubleman as well as Mark and Matt Owens from Buddy System for putting this record out, and of course Phil Dwyer for doing the design. Hope to see everyone on the 27th.

Here is the lyric sheet and artwork from the album (click to enlarge):


Thursday, February 18, 2010

The Inkwell Discography


Marty Rioux - New Bedford, MA - March 22, 1996

Here is the download: Inkwell Discography

Track Listing:
1-3: from the "By Design" 7"
4-5: from the split 7" with The hal al Shedad
6-7: from the "Shine So Bright" 7"
8: from the Placebo compilation 7"
9-10: previously unreleased

Actually, this is not a complete discography, as the original demo is not included, however I will respect the wishes of the band and not drag any more skeletons out of closets than is absolutely necessary. I really want to thank Joe Myers (Inkwell, Re/Model, Black Venus) for making me a CD of these songs included here - they come from the original cassettes and are as clean as you can get without having an official discography released. The only songs that do not come from this format are the the "Shine So Bright" single songs, which sounded a little strange on Joe's CD, so I transferred those directly from the vinyl.

By the way - there is a lot of Inkwell footage on YouTube - check it out.


Phil Dwyer - Driverdome - April 27, 1996

I just have to say for the record that Inkwell was one incredibly intense band. If the mood was right, and they were into it, their shows could be truly transcendent. Easily one of the best shows you have ever seen. But I also want to emphasize how funny and nice guys they were, and what a good time you could have with them on the road or at a show. Despite what you may think from listening to the music and watching the videos, their shows were actually a lot of fun. Some of my greatest memories of those years were at Inkwell shows.

In fact, when you look at their history, the golden period of their existence was only one year - Spring 1995 to Spring 1996, a perfect amount of time for a band such as this. They came in, blew everyone away, and then were gone before any of the charm wore off or got stale. We were truly fortunate to have them in our town.

Here is a history of the band, written by Nordic Joe himself:
We started out as an idea between Joe and Phil one night in early 1994 while at work. Phil found a drummer named Josh and Joe asked Marty if he wanted to play bass. With a little bit of reluctance, Inkwell was formed. Our initial practices in Josh's bedroom were awkward at best, but songs were beginning to seep out. Then a month or two later we played our first show with Jara and Atlanta's own Quadiliacha. It was described by Mike D (now known as Mike Phyte) as "piss poor." We improved with every show and every practice as we started to take it more seriously. We recorded a demo at Sleepless Nights studios with Issa (who is now in Good Clean Fun - Haha). Then around the end of the year we went on a small "tour" of the east coast. We played a show set up by Scott Beiben that was in a small two car garage in the middle of nowhere. We played that show to mostly the other bands, with mostly our friends being the other attendees. Gavin was there with his pink haired crust friend. Though the show was a bust, that night the Moss Icon - Lyburnum LP was finally released. Something positive came out of it, as we all bought copies and Gavin got some for his distro. Later that night we found out that we could have played a show in Philly at Sean McCabe's house with a much bigger audience. Oh well. We ended our mini-tour with a show in Virginia Beach with Channel and a few other bands. We didn't think the crowd would like us because it was a bit of a chugga chugga town, but it turned out that it was the best response we had ever gotten. That was a nice way to end it. Then we came back to Atlanta to play a Car vs. Driver album release show. Then Josh moved to California the next day. For a few months Inkwell was stagnant without a drummer. Our friend, Theo, who was playing in a band called Scout at the time, had a friend from Arkansas who had recently moved to town. We weren't really sure what to think of Mark, as he could recite Coolio lyrics on demand and had a little bit of the gangster style to him. But once we played with him we knew it would work out. Mark was a great drummer. After just a couple months we were back in step. Our sound was faster and a lot less sloppy with the inclusion of Mark. We started playing shows again. It also happened that Mark worked as a sound engineer at Purple Dragon studios where he did things like assist on TLC and Outkast songs. So we recorded there and released our first 7". Phil did the the master design work, and also seemed to find the most expensive materials to release it with. With Gavin trading 7" worldwide, we started getting letters from all over the world and were gaining quite a following. We also helped to start a thriving hardcore scene in Atlanta that didn't exist before. We went on to have a split 7" with the Hal al Shedad released. Then our second 7", "Shine So Bright", got released. We did a little mini tour again, this time a few more shows and this time there were a lot more people at the shows. Then we came back home. We played one last show at the Driver Dome with all of the bands on the Placebo comp 7" that had just come out. It was the largest attendence in the history of the Driver Dome (Steve Wishart's basement), and it was on a hot Georgia night, so it felt like an oven. But we played all of our songs except one and then it was over. Like the flyer said, "the end of an era."


Marcus Lowe - Godless Red House - May 21, 1995

This is the artwork for the "By Design" 7". Unbelievable packaging for the time - full booklet, pictures, essays, design. It was more than just another single by a local band.













This is the artwork from the split 7" with The hal al Shedad, including the repress with that great photo of the band. In fact, I like the repress artwork better than the original.






This is the artwork for the "Shine So Bright" single, with and without the transparency so you can read the insert, and the $1.50 alternate artwork version. Clever packaging guys.





This is the Inkwell page from the Concurrent "Placebo" compilation (a Scott MC joint):



Here is a list of all Inkwell shows played, and here are some flyers:

1994
June 30 @ Andy Stivers' house w/ Jara (Ca.) and Quadiliacha (ATL)
July 12 @ The Somber Reptile w/ Spirit Assembly (Pa.) and Car vs. Driver
August 5 @ the MikeD house w/ Bleed (Pa.?)
September ? @ Ladson Homemakers Club (Ladson, S.C.) (Benefit for a women's shelter) w/ Iodine (aka LineXDrive) (Winston-Salem, N.C.), Lifeline (Columbia, S.C.), Fragment(Columbia, S.C.), Stretch Armstrong and others
October 16 @ the MikeD house w/ Scout (ATL) (Walleye cancelled)
October 22 @ The Somber Reptile w/ The Smoking Popes, Scout and others
October 23 @ Theo's house w/ Silence Equals... (Winnipeg, Manitoba), Thumbnail(Knoxville, Tn.), Scout
November 5 @ Ladson Homemakers Club (Benefit for CISPES) w/ In/Humanity, Stretch Armstrong and others
December 2 @ the Driver Dome w/ Car vs. Driver and Scout (Assfactor 4 cancelled)
November 12 @ the Driver Dome w/ Deus X (N.C.) and Deterrent (N.C.)
December 9 @ the MikeD house w/ Daysleeper
December 27 @ some one car garage (middle of nowhere, N.J.) w/ Plunger, Iodine (LineXDrive), Lifeline
December 28 @ V.A. Hall (D.C.) (Beehive Collective) w/ Frail (Philly), Spirit Assembly, True High Fidelity, Anasarca
December 29 @ King's Head Pub (Va. Beach, Va.) w/ Introspect (Pa.), Channel (Va.) and others
December 30 @ The Somber Reptile (Car vs. Driver - Deja Grateful LP release show) w/ Car vs. Driver, Scout, Lowboy (ATL) Goodbye, Josh.

1995
March 31 @ The Somber Reptile (Scout/Freemasonry split 12" release) w/ Scout and Freemasonry
April, ? @ some club in Pensacola, Fl. w/ The hal al Shedad
April 17 @ The Driver Dome w/ Bloodlet and The hal al Shedad (Thenceforward cancelled)
?,? @ Ladson Homemakers Club (benefit?) w/ Prevail, Premonition, The hal al Shedad, and others
May 12 @ some house in Auburn, Al. w/ The hal al Shedad
May 13 @ Village Apartments Clubhouse (Athens, Ga.) (Food Not Bombs benefit) w/ Year Zero and The hal al Shedad
May 21 @ The Godless Red House (formerly the Mike D house) w/ Prevail and Outbreak
May 24 @ Senseless Beauty Cafe (Columbia, S.C.) w/ Converge, Channel, Assfactor 4, and Fragment
June 2 @ The Driver Dome w/ Gus, Selfish, Gheish, Regicide, and Thenceforward
June 17 @ The Sea Galley Lounge (Charleston, S.C.) (benefit for My Sister's House battered women's shelter) w/ Chokehold and ? (most of the bands we knew cancelled)
June 21 @ Under the Couch w/ Chokehold, Boy Sets Fire, and Act of Faith
July 6 @ The Driver Dome w/ Daredevil and Benchmark
July 15 @ The Somber Reptile (ATL Fest) w/ Assuck, Hot Water Music, Channel, Introspect, Bleed, Assfactor 4, Gheish, Quadiliacha, etc.
July 21 @ The Somber Reptile (Car vs. Driver's last show) w/ Car vs. Driver and Braid
August 19 @ The Driver Dome (Rock Against Rape benefit?) w/ The hal al Shedad, Wheeljack, Pagan Holiday, Blondie, etc.
August 20 @ Colton's Garage? (Pensacola, Fl.) w/ Blank? and ?
August 23 @ the Shaft record store (Gainesville, Fl.) w/ The Cleavers and Vanbuilderass
August 25 @ The Wreck Room (Act of Faith CD release) w/ Act of Faith and Crisis Under Control
November 18 @ The Driver Dome (Empty the Shelters benefit) w/ Hal al Shedad, Scout (1st last show), Act of Faith, and Broken
December ? @ The Driver Dome (Farm Animal Reform benefit) w/ Falling Down and Thenceforward
December 29 @ The Wreck Room w/ Avail and Squatweiler (Crown.Hate.Ruin cancelled)
December 31 @ The I Defy w/ In/Humanity, Autumn, Broken, End of the Century Party, Palatka, etc.

1996
February 2 @ BLT's w/ Chokehold, Thenceforward, and Scout (7" release last last show)
March 14 @ some place on State Street (Little Rock, Ak.) w/ Class of 84, Shakeray Turbine, Red 40
*March 16 @ somewhere in Virginia Beach (the only show we ever cancelled) w/ Hose.Got.Cable and Channel? (they actually played, we couldn't make it)
March 17 @ The Happy Hardcore House (Washington, D.C.) w/ Marble, Astoria, and Mid Carson July
March 20 @ the 314 house (Philly) w/ Ink and Dagger, I Hate You, and Tricycle
March 22 @ some community center (Buffalo, N.Y.) w/ Chokehold, Abnegation, Hourglass, and Chalkline
March 25 @ the YWCA (New Bedford, Ma.) (New Bedford Fest) w/ Chokehold (last show), Damnation A.D., Autumn, Stillsuit, Lifetime, Promise Ring, Texas is the Reason, Switched On, Reversal of Man, Dahlia Seed, Cable, etc.
April 27 @ The Driver Dome (Last Show) (Placebo comp 7" release) w/ Order of Importance and Reversal of Man (Prevail cancelled)

Thanks Inkwell.
BLT's - February 2, 1996